I help studios and brands deliver high-end VFX and creative work.
I take a considered, detail-driven approach to production, focusing on clarity, collaboration and delivery. My work is shaped by structure, trust and a calm hand in complex environments.
Projects
Explore
2026 IS Luxury Sedan (2025)
Unreal-built CG environments, delivered as stills and motion asset through retouching, compositing, grade and edit.
Sonic the Hedgehog (2023)
High-energy character sequences combining large-scale action and choreography, coordinating animation teams to deliver dynamic, story-driven moments.
True Detective: Night Country S4 (2024)
Line-produced compositing alongside CG ice cave set extensions for unplanned VFX shots, delivered under a condensed schedule from non-VFX-led footage.
American Express
British Airways
Abu Dhabi Sphere
The Eagles
Lexus
Clients
Intuit
Apple
bwin
Ladbrokes
TUI
Paramount Studios
Disney
Netflix
Apple TV+
Universal Studios
Let’s Build!
From shaping the brief to managing delivery, I help guide creative projects with clarity, care and a commitment to quality at every stage.
About
I’m a London-based Producer working across VFX, CG and high-end creative production. I work studio-side with artists, supervisors and production teams to help complex work move from brief through to final delivery with clarity and momentum. While my recent work has been focused primarily in advertising and brand-led campaigns, my core experience and long-term focus remain firmly rooted in film and television VFX.
My interest in VFX was shaped early on after watching the Empire of Dreams documentary and being genuinely awed by what collaborative teams could achieve when craft, ambition and innovation aligned. That moment set the direction of my career and continues to inform the work I pursue today. I’m motivated by being part of award-winning teams and contributing to the delivery of the highest quality work possible on ambitious, story-led projects.
Before moving fully into creative production, I built a foundation in engineering project delivery, developing a strong understanding of planning, process and problem-solving at scale. That background underpins how I work today, bringing a calm, methodical approach to complex schedules, evolving briefs and technically demanding work. I focus on establishing clear frameworks early so teams can work confidently while maintaining momentum through delivery.
Across feature films and episodic series, as well as high-end commercial work over the last two years, I’ve managed delivery across a wide range of VFX workflows. This includes layout and animation, CG environments and set extensions, episodic compositing, real-time pipelines and high-volume campaign assets. I’m comfortable coordinating teams across departments and production phases, managing schedules, reviews and approvals, and translating creative intent into practical, achievable delivery.
Alongside advertising, my ambition is to continue building on my film and television background and return to long-form VFX projects where scale, craft and collaboration are at their most demanding. At the heart of my approach is enabling the people around me to do their best work, staying close enough to the process to support quality while providing the structure and clarity needed to deliver consistently under pressure.